{"id":1583,"date":"2017-08-06T22:48:32","date_gmt":"2017-08-06T20:48:32","guid":{"rendered":"http:\/\/lecture.jose-marcio.org\/blog\/?p=1583"},"modified":"2022-03-07T13:56:27","modified_gmt":"2022-03-07T12:56:27","slug":"eric-kroll-new-erotic-photography","status":"publish","type":"post","link":"https:\/\/lecture.jose-marcio.org\/blog\/2017\/08\/06\/eric-kroll-new-erotic-photography\/","title":{"rendered":"Eric Kroll – New erotic photography"},"content":{"rendered":"

De la photo \u00e9rotique – quoi dire de plus ???<\/h2>\n

\"\"Faut-il faire la critique du contenu du livre ou de la photo<\/a>graphie \u00e9rotique contemporaine ???<\/p>\n

Quant au contenu du livre… rien \u00e0 dire. C’est bien organis\u00e9, c’est bien fait.<\/p>\n

Apr\u00e8s, si l’on regarde la photo<\/a>graphie \u00e9rotique contemporaine, c’est une autre histoire. Et l\u00e0… \u00e7a d\u00e9pend des go\u00fbts. \u00ab\u00a0Les go\u00fbts \u00e7a se discute mais \u00e7a ne se dispute pas\u00a0\u00bb.<\/p>\n

J’admire les photos de nu, mais plut\u00f4t \u00e0 l’ancienne (Jean-Fran\u00e7ois Jonvelle, Willy Ronis, Edward Weston, Avedon, Jean-Loup Sieff, …), o\u00f9 ce que l’on met en valeur est, avant tout, la beaut\u00e9 et les formes du corps f\u00e9minin ou sa joie de vivre le moment.<\/p>\n

Je n’appr\u00e9cie pas les photos qui rel\u00e8vent plut\u00f4t de la provocation ou d’une connotation sexuelle, disons, limite pornographique. C’est courant dans la photo<\/a> \u00e9rotique contemporaine. Peut-\u00eatre un manque d’inspiration.<\/p>\n

Mais bon, si on enl\u00e8ve cette parenth\u00e8se personnelle, ce livre fait le tour de ce que l’on fait actuellement dans ce cr\u00e9neau.<\/p>\n

Quatri\u00e8me de couverture<\/h2>\n

The most provocative modern image makers Imagine walking into a room filled with the world’s finest contemporary erotic photographers, each with a portfolio of his or her best work. As you browse the photographs they discuss inspiration, censorship, how to find models, and how to make a living capturing beautiful women on film and in pixels.<\/p>\n

The New Erotic Photography is the room, and 82 photographers from 14 countries are the hosts of this intimate gathering. In this 608 page volume you will meet Ralph Gibson, Jan Saudek, Terry Richardson, Natacha Merritt, Petter Hegre, Richard Kern, Bob Carlos Clarke, Thomas Karsten and the many fresh new talents currently redefining eroticism.<\/p>\n

Playful, provocative and exuberantly sexy, these aren?t your granddad’s art nudes; this is The New Erotic Photography. Photographers featured: Robert Adler, Markus Amon, Guido Argentini, Alethea Austin, Marc Baptiste, Daniel Bauer, Bruno Bisang, Lisa Boyle, Derek Caballero, Bob Carlos Clarke, Didier Carre, BT Charles, John Chilton, Robert Chouraqui, Jean Van Cleemput, Barney Cokeliss, Bob Coulter, Cristian Crisbasan, Yuri Dojc, Susan Egan, Andrew Einhorn, Alla Esipovich, Ivana Ford, Ed Fox, Peter Franck, Jody Frost, Perry Gallagher, Ralph Gibson, Steve Diet Goedde, Peter Gorman, Ludovic Goubet, James Graham, China Hamilton, Naomi Harris, Aaron Hawks, Petter Hegre, Mark Helfrich, Noritoshi Hirakawa, Mike James, Jive, Thomas Karsten, Richard Kern, Christine Kessler, Chas Ray Krider, Eric Kroll, Vlastimil Kula, Dennis Letbetter, Stefano Levi, Herv? Lewis, Kenn Lichtenwalter, Florian Lohmann, Ben Marcato, Olaf Martens, Natacha Merritt, Maki Miyashita, Craig Morey, Ken-ichi Murata, Dave Naz, Beatrice Neumann, SakikoNomura, David Perry, George Pitts, Collin Rae, Nicola Ranaldi, Terry Richardson, Markus Richter, Giovanni Sambuelli, Will Santillo, Jan Saudek, Joan Sinclair, Tony Stamolis, Julie Strain-Eastman, Missy Suicide, Brian Sullivan, Jeremy Thompson, Rebecca Tillett, Larry Utley, Mariano Vargas, Yasuji Watanabe, Ben Westwood, Michael White, Chip Willis<\/p>\n","protected":false},"excerpt":{"rendered":"

De la photo \u00e9rotique – quoi dire de plus ??? Faut-il faire la critique du contenu du livre ou de la photographie \u00e9rotique contemporaine ??? Quant au contenu du livre… rien \u00e0 dire. C’est bien organis\u00e9, c’est bien fait. Apr\u00e8s,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,18],"tags":[],"class_list":["post-1583","post","type-post","status-publish","format-standard","hentry","category-lecture","category-photographie","comments-off"],"_links":{"self":[{"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/posts\/1583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/comments?post=1583"}],"version-history":[{"count":0,"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/posts\/1583\/revisions"}],"wp:attachment":[{"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/media?parent=1583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/categories?post=1583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lecture.jose-marcio.org\/blog\/wp-json\/wp\/v2\/tags?post=1583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}